I liked this gentle send-up of the folk scene and the culture of musical reunions as perpetrated for and by TV. Bronwen found it boring, irrelevant, and flaccid (perhaps like the scene itself as portrayed here, white, treacley-sincere, in some cases, just plain plastic and overproduced). I found that to be part of its sly charm. Another Christopher Guest-Eugene Levy collaboration, it reunites them and their ensemble: Fred Willard, Jennifer Coolidge, Jane Lynch, Michael McKean, Harry Shearer, Ed Begley, Katherine O’Hara, Parker Posey, and several others from their earlier works “Best in Show,” “Waiting for Guffman,” and that classic of the genre, “This is Spinal Tap”. This is no “Spinal Tap,” indeed, it lacks the edginess of that masterpiece and even the darkness of Guffman and Show, but I enjoyed it nonetheless as you get The New Main Street Singers, the Folkmen, and Mitch and Mickey coming back together for a benefit to memorialize their recently deceased producer. I enjoyed the inane songs (well, most are inane, especially the title piece), the silly sincerity, lots of little sight and verbal gags. The initial look at the producer’s family is hysterical and Ed Begley actually seems at home as the Yiddish spouting, Swedish-born, accent-free public television producer, but I also found it too kind to be entirely satisfying or exhilarating.